Who is the killer (and why they did it)


Warning: Contains spoilers for Kimi!

Steven Soderbergh’s latest film forgoes his typical suave, blockbuster style as seen in movies like Ocean’s Eleven in favor of a movie that focuses more on its characters and themes, but like the infamous police bullshit, what happened in Kimi is far from simple. The film still leaves plenty of unanswered questions that, refreshingly, need to be pieced together by the viewer rather than forced upon them through heaps of exposition. Although Kimi appears to be a simple murder mystery at first, it quickly turns into a tense and thematically rich story that may leave some viewers scratching their heads.


Inspired by films like the Alfred Hitchcock film rear window, Kimi follows Angela Childs (Zoë Kravitz), an agoraphobic technician who uncovers evidence of a violent crime. Angela works for the Amygdala company on a project called Kimi, a fictional counterpart to devices like Google Home and Alexa. The film explains that Kimi is special because, unlike its competitors, real people listen to user commands and troubleshoot issues with the device. One of these recordings is where Angela hears the murder, which she immediately reports to her boss Natalie Chowdhury (Rita Wilson), who then tells CEO Bradley Hasling (Derek DelGaudio). Unexpectedly, Amygdala quickly destroys what they believe to be the only copy of the tape and sends three hitmen to dispose of any evidence of the crime, including Angela herself.

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Kimi there’s a lot going on, from Angela’s agoraphobia to the presence of COVID-19 to the cover-up of a powerful tech company (a theme often seen only in sci-fi movies). Because of this, it’s easy to miss key plot revelations, as the film is surprisingly subtle for the amount of story threads it contains throughout. here is Kimi the ending explained, including who the killer was, what the mysterious events of Angela’s past were, how real-world events play into the story, and what it all really means.

Who was the murderer on Kimi’s recording and why did they do it?

Although the film never explicitly states it, the murderer is actually Bradley Hasling, the CEO of Amygdala. The recording Angela hears consists mostly of deafening music, with the faint scream of a woman being the only thing that tells Angela that something else is going on. After using her sound equipment to spoil the recording, she discovers the sound of two men breaking into the victim’s apartment and slitting her throat, portrayed much more graphic and traumatic than in other mysteries of murder like Knives out. After obtaining an admin and device code, Angela then accesses Kimi’s recording log of the woman, where most of the evidence against Bradley comes from. As the last tape before the murder reveals, Bradley did in fact sexually assault the woman, and she is now threatening to reveal what he did to the public. Because of this, he sends two hitmen to her house who then kill her, wrap her in plastic sheets, and dispose of the body. It’s even hinted that the two hitmen are the same ones sent to Angela’s, except this time they meet defeat at the hands of Angela’s nailer. Fortunately, Angela and her boyfriend, prosecutor Terry (Byron Bowers), use the evidence to convict Bradley, who is then shown on the news walking out of the courthouse in handcuffs.

Angela’s traumatic past led to her agoraphobia

Kimi Zoe Kravitz

Like The woman at the window and other films of the same genre, Angela struggles with agoraphobia, the extreme fear of leaving one’s own home or being in open spaces. While this tends to be just an excuse for why the protagonist can’t leave their house, it actually works wonders for Kimi. This is the main conflict of the first half of the film, as Angela struggles to leave her apartment to bring the evidence to Amygdala. Although not all phobias have a direct cause, KimiThe protagonist of is shown to have developed her fear following several traumatic events in her life. Just like the murder victim, she was also a victim of sexual assault at her former workplace. Angela also mentions that it was she, not the rapist, who was put on trial, another idea touched on in recent thrillers like Last night in Soho. Due to this traumatic event, she decided to take indefinite mental health leave, which led to her quitting her job and starting to work for Amygdala. This all comes to light during a conversation with her therapist, whom she meets online to avoid dating.

Angela’s agoraphobia, however, is much more serious than many cases. In fact, she chooses to risk her own health rather than leave her house to see things like therapists, dentists, and other types of doctors. A challenge Angela faces in the film involves a cracked tooth that she chooses not to have checked out. Although it is not as bad as the toothache in Castaway, her dentist strongly suggests that she come into his office to get a root canal treatment. Instead, she simply asks for painkillers and tries to ignore the tooth, though it gets worse throughout the film. His social life also suffers. Angela is mostly a loner, her only true friend being her mother. Her boyfriend Terry comes by occasionally, but we can see that she walks away from him, even refusing to cross the street to go to a food truck with him. However, once Angela realizes she can help the Kimi’s wife, she finally overcomes her agoraphobia. Having also been sexually abused and excluded, Angela can relate to the woman and decides that she will leave her home and do what she must to prevent someone from being abused the same way she has. summer. The trauma Angela faces throughout the film is severe, and it’s something she eventually overcomes as the story unfolds.

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Kimi talks about COVID

COVID-19, just like in the real world, is everywhere in Kimi. Managing COVID much better than Locked do, Kimi at its core, it’s really about COVID. Throughout the film, characters can be seen wearing masks, social distancing, and talking about the pandemic. Lockdowns have made technology even more present in many people’s lives, with Zoom calls and remote working becoming common, all seen in Kimi. Although Angela’s traumatic past was the catalyst that sparked her agoraphobia, the lockdowns are what kept her going, allowing her to hardly ever leave her home. After being locked down for two or more years, she has become so comfortable with her remote lifestyle that she now struggles to reintegrate into a post-lockdown society, which many viewers can relate to. .

However, the film also addresses other social issues that were prevalent during COVID. Take a more serious approach than South ParkIn the COVID specials, the film tackles protests, homelessness, the growing power of tech companies, and even the abuses that those in power too often elude. The whole Bradley Hasling story is a commentary on wealthy CEOs using their status to take advantage of others, something that has come to public notice in recent years with the Me Too movement. Additionally, some people worried that technology was having too much of an influence on us and our country, with some people citing security issues with devices like Kimi. The film even shows Angela going to a protest for social justice, many of which exist in the real world due to the Black Lives Matter protests. The BLM movement has influenced many movies and TV shows, so it’s not unique to Kimi. In the movie, however, these protests were actually an attempt to get local governments to help the homeless, with evictions still a key topic of debate due to the pandemic. Kimi aims to both talk about and provide insight into all of these incredibly important topics, while delivering a compelling story alongside commentary.

The real meaning of Kimi’s ending

Kimi Zoe Kravitz

The end of Kimi is incredibly satisfying, showing her having a CEO arrested, murdering two hitmen with a nail gun, and then getting food with her boyfriend. The finale is almost reminiscent of the Avengers and their shawarma, showing the value of food as a celebrant. At the start of the film, Angela didn’t leave her apartment to go to the food truck across the street with Terry. At the end of the film, Angela finally changes from her blue hair and orange hoodie, now showing a black dress and pink hair. With this new look, Angela leaves her house without fear for the first time to finally go eat with her boyfriend. This new look coupled with a new attitude is symbolic of her inner change, showing that she has overcome her fear and trauma and is now ready to be happy again. While many in society may look down on those who aren’t over the trauma of COVID and aren’t ready to leave their confinement, director Steven Soderbergh uses Kimi provide an alternative perspective. Soderbergh says it’s okay to take time to cope, as the pandemic, recent social issues and the ever-changing world can be traumatic. The voltage that Kimi employs is a perfect allegory for that anxiety that many have, and the movie is just what the world needs right now, telling audiences that it may take time to readjust and that the world will still be here when it is. ready.

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